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I would like to publically acknowledge Terry Snowball and Jackie Swift-McCabe for their tireless and often thankless efforts, in their CoChairpersonship of this year's National Powwow! I don't know how many of the powwows.com readership have ever been involved in the planning and implimentation of an event of this magnitude, but THESE TWO INDIVIDUALS WERE OUTSTANDING! *Takes roach off and bows.
There were many aspects of this past weekend that need to be shared and explained.
Several education components were added to enhance the experience of each visitor. These components satisfied this education enhancement requirements of the NMAI.
1. Thursday Panel Discussion (NMAI Rasmusson Auditorium): Wallace Coffey, Dale Old Horn, Jason Good Striker and Madonna Thunder Hawk talked about tribal ceremonies on the southern, northern and Canadian plains and how these ceremonies contributed to what we now know as the "Modern Intertribal Powwow." A very important question was then addressed: "What do you think about Powwow traditions being overshadowed by contemporary innovations?" A question and answer period took place at the end of the panel discussion.
2. NMAI Activities: Cultural Presentations, Demonstrations and Dancing took place inside the NMAI in conjuction with the weekends activities. A constant shuttle went back and forth from the MCI Center to the NMAI. (KiowaKAT was one of the demonstrators of moccasin making and brain tanning!)
3. Hemispheric Participation: The NMAI represents all Natives from the Western Hemisphere. In the powwow grand entry, there were distinct partipants from Alaska to Bolivia! The Bolivians performed their music and dance as part of this hemispheric participation.
4. Veteran's Participation: "Warrior societies ARE the origin of modern powwow dancing." During each dance session, a different branch of the service was highlighted by an introduction and special branch song. Wounded veterans from area military hospitals were brought in specifically to participate in the opening grand entry. A Iraqi Freedom veteran who had lost his legs in defense of our country was highlighted on Saturday night as a way to say, "Welcome home soldier. We appreciate your sacrifice for our lands, freedom and ways of life."
5. Historic Interpretation: The concept of this year's theme is "Origins and Evolutions of the Powwow." Historical photographs interchanged nonstop on the MCI monitor screen. Dancers were identified to precede each adult contest to contrast the origins of powwow dancing (Also headsmen from the Kiowa Gourd Clan/gourd dance and Crow tribal members in their interpetation of the crow hop and double beat). These dances were interpreted by an emcee or cultural historian.
Anna Old Elk facilitated a presentation of Indian Hip Hop, to contrast the evolution of powwow dancing moving forward. The three announcers explained the oral history of traditional announcers (camp criers) and brought in the grand entries in their tribal language the way they did before emcees had microphones. A powwow clown called "Wannabe Princess" took part in all aspects of the powwow like they did long ago in many southern dances and northern wacipis.
6. Contests: As part of powwow evolution, $100 thousand dollars was given to contest winners in addition to beautiful 2005 National Powwow Commemorative Medals given to first, second and third place winners in 24 dance categories (Gold, Silver and Bronze)! All 14 drums were given an additional $500 "day money" to cover parking and food as a part of the advertised drum split!
7. DVD: Russell Tall Chief is working on a commemorative DVD compilation of all the historic events of the 2005 NMAI National Powwow. 24 key indivividuals participated in interviews on specific components of powwow origin and evolution.
8. National/International Coverage: A live web and radio were broadcast during all three days of the powwow. Media from around the world covered the event including: National Geographic Magazine, USA Today, The Washington Post and Stars and Stripes. Hundreds of visitors from overseas were in attendance. Many planned their holidays around the 3-day event! Paul G. did a wonderful job and service by covering this event for Powwows.com and powwow followers Worldwide!!!
___
Da' 49: There were three 49's that took place in 3 separate locations in the D.C. area during this year's powwow. I remained loyal to my homies, Bushy Braids and Buckskin PantyHose by supporting the "off da' wall 49" at the Tom Tom Club! For those of you who were not in attendance, three groups took turns singing at their 49 after a night of dancing: Midnight Express, Southern 49 Singers and Stoney Creek! *Props to all the 49 singers who shared their talents!
____
Public Apologies to those who were not allowed into the dance arena. Due to fire hazards, emergency codes and MCI restrictions we needed to keep the dance area limited to people who were registered to sing and dance (those who wore red wrist bands.) We had many elders and veterans on the dance floor area and needed to keep the aisles clear.
On Friday, it was brought to our attention the the mass number of media and cameras was not being respectable to the participants. THIS WAS RECTIFIED SATURDAY AND SUNDAY and security was tightened.
__
Condolences from our powwow family. The NMAI powwow committee sends it's condolences to the Jack family. Willow is also a part of our Powwows.com family.
During the the National powwow, over $2200 was raised to send to the Jack family.
___
A SPECIAL SHOUT OUT to all the POWWOWS.COM membership who were in attendance. I tried to make sure Powwows.com was recognized. Your participation added alot to this years 2005 Smithsonian National Museum of the American Indian's NATIONAL POWWOW!!!
(please post if you were there)
There were many aspects of this past weekend that need to be shared and explained.
Several education components were added to enhance the experience of each visitor. These components satisfied this education enhancement requirements of the NMAI.
1. Thursday Panel Discussion (NMAI Rasmusson Auditorium): Wallace Coffey, Dale Old Horn, Jason Good Striker and Madonna Thunder Hawk talked about tribal ceremonies on the southern, northern and Canadian plains and how these ceremonies contributed to what we now know as the "Modern Intertribal Powwow." A very important question was then addressed: "What do you think about Powwow traditions being overshadowed by contemporary innovations?" A question and answer period took place at the end of the panel discussion.
2. NMAI Activities: Cultural Presentations, Demonstrations and Dancing took place inside the NMAI in conjuction with the weekends activities. A constant shuttle went back and forth from the MCI Center to the NMAI. (KiowaKAT was one of the demonstrators of moccasin making and brain tanning!)
3. Hemispheric Participation: The NMAI represents all Natives from the Western Hemisphere. In the powwow grand entry, there were distinct partipants from Alaska to Bolivia! The Bolivians performed their music and dance as part of this hemispheric participation.
4. Veteran's Participation: "Warrior societies ARE the origin of modern powwow dancing." During each dance session, a different branch of the service was highlighted by an introduction and special branch song. Wounded veterans from area military hospitals were brought in specifically to participate in the opening grand entry. A Iraqi Freedom veteran who had lost his legs in defense of our country was highlighted on Saturday night as a way to say, "Welcome home soldier. We appreciate your sacrifice for our lands, freedom and ways of life."
5. Historic Interpretation: The concept of this year's theme is "Origins and Evolutions of the Powwow." Historical photographs interchanged nonstop on the MCI monitor screen. Dancers were identified to precede each adult contest to contrast the origins of powwow dancing (Also headsmen from the Kiowa Gourd Clan/gourd dance and Crow tribal members in their interpetation of the crow hop and double beat). These dances were interpreted by an emcee or cultural historian.
Anna Old Elk facilitated a presentation of Indian Hip Hop, to contrast the evolution of powwow dancing moving forward. The three announcers explained the oral history of traditional announcers (camp criers) and brought in the grand entries in their tribal language the way they did before emcees had microphones. A powwow clown called "Wannabe Princess" took part in all aspects of the powwow like they did long ago in many southern dances and northern wacipis.
6. Contests: As part of powwow evolution, $100 thousand dollars was given to contest winners in addition to beautiful 2005 National Powwow Commemorative Medals given to first, second and third place winners in 24 dance categories (Gold, Silver and Bronze)! All 14 drums were given an additional $500 "day money" to cover parking and food as a part of the advertised drum split!
7. DVD: Russell Tall Chief is working on a commemorative DVD compilation of all the historic events of the 2005 NMAI National Powwow. 24 key indivividuals participated in interviews on specific components of powwow origin and evolution.
8. National/International Coverage: A live web and radio were broadcast during all three days of the powwow. Media from around the world covered the event including: National Geographic Magazine, USA Today, The Washington Post and Stars and Stripes. Hundreds of visitors from overseas were in attendance. Many planned their holidays around the 3-day event! Paul G. did a wonderful job and service by covering this event for Powwows.com and powwow followers Worldwide!!!
___
Da' 49: There were three 49's that took place in 3 separate locations in the D.C. area during this year's powwow. I remained loyal to my homies, Bushy Braids and Buckskin PantyHose by supporting the "off da' wall 49" at the Tom Tom Club! For those of you who were not in attendance, three groups took turns singing at their 49 after a night of dancing: Midnight Express, Southern 49 Singers and Stoney Creek! *Props to all the 49 singers who shared their talents!
____
Public Apologies to those who were not allowed into the dance arena. Due to fire hazards, emergency codes and MCI restrictions we needed to keep the dance area limited to people who were registered to sing and dance (those who wore red wrist bands.) We had many elders and veterans on the dance floor area and needed to keep the aisles clear.
On Friday, it was brought to our attention the the mass number of media and cameras was not being respectable to the participants. THIS WAS RECTIFIED SATURDAY AND SUNDAY and security was tightened.
__
Condolences from our powwow family. The NMAI powwow committee sends it's condolences to the Jack family. Willow is also a part of our Powwows.com family.
During the the National powwow, over $2200 was raised to send to the Jack family.
___
A SPECIAL SHOUT OUT to all the POWWOWS.COM membership who were in attendance. I tried to make sure Powwows.com was recognized. Your participation added alot to this years 2005 Smithsonian National Museum of the American Indian's NATIONAL POWWOW!!!
(please post if you were there)
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